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The work includes speculative archives, collections, interventions, sculptures, monoprints, and live art performances, and forms a sustained critique of archival, archaeological, and anthropological concerns. From within these fields of research the viewer’s attention is drawn to fragmented and forgotten data or visual metaphors of it, as well as artefacts that have been left behind through social change and whim, or where they are altered through being re-absorbed into more modern belief systems and archives.
Alexander Stevenson
United Kingdom
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