24 hours in a day. 8 hours of sleep, 8 hours to go to my job, my family wants to see me once in a while and I want to do it all. Paint landscapes, portraits and still lives. I can't choose. I wish I had more time to paint. This time I made this little still live study. Done in oil (8.5 x 8.5). More to come. But.. I might choose another subject next time. I really don't know. 


This year I want to specialize on portraits and landscapes. I want to try and get some commissions on portraits, so the next paintings will be portraits. I think from may or june I will make some landscapes, which I love to do. I did't paint this one in one session. It was three sessions. That's not a problem. But the problem was the gap between the sessions. It was too long. A day or four. The paint was alredy drying. I did'nt expect that. And I had some trouble mixing colors that were already on the canvas. So, I know what to do next time. I learn every day this way. This is me, oil on canvas 23 x 31 inches.
I don't know why, but I wanted to paint the queen of Holland a long time ago. But I never came to it. Untill now. Maybe it is because she turned 70 this year. It is a big, for me it is, painting, 31.5 x 24 inches. And a real struggle. I used mirrors to see if it was done all right. It took me three (!) days to find out the color of her hair. But I think it is satisfying. 
It took me 5 paintings since the apple slices. They all went into the trash can. So, it took some time for me to grab myself together and finally paint a piece that I really like. And here it is. Oil on paper, approx. 11 x 8 inch.
It took the internet company 14 days to put me back online! 14 days! Why must these things take so long? Anyway, I'm back again! Happily I can paint while there is no internet.
...but the painting continues. This is what I have done this weekend. I made some more, but it is not good enough to post it.
I'm having serious trouble connecting to the internet at the moment. This has been going on for the past 8 days. I've called the internet provider several times and the said they've been working on it. But still.... no connection. (Why must these things take so long?) In the meantime, I've decided that I will post the last few paintings while I'm at my work. That will do the trick. I hope that the problems will be over soon.
Two pears: 20 cm x 17,1 cm (approx. 7.5 x 6.5 inches)
Garlic: 16,2 cm x 24,3 cm (approx. 6.3 x 9.5 inches)
Three apples in bowl: 15,7 cm x 18 cm (approx. 6 x 7 inches)
I don't know if you know these. I don't even know if they excist anywhere else. It is a typical Dutch meal (as far as I know). In Holland we call them "stoofpeertjes". These are a kind of pears. If you peel them and boil them for a couple of hours, they turn red and taste wonderfull.
The past weeks I tried to paint some big paintings, but it did not work out thee way I had in mind. So. here is a little one. My wife bought it for me. Oil on paper, 16 cm x 18 cm (approx. 6 x 7 inches) 
This is "our" Anna. She is 7 years old and a lovely little rascal.
Often I travel on the Internet, looking for how people paint their paintings. It's a great way to find out and try it yourself. So I tried this chair, books and apple, with, in the beginning, very wet paint. Almost water with a colour. Amazing, what can be done! I think I will continue with such paintings.
I have forgotten to post this painting. I finished it last thursday. A week ago! But here it is. My wife bought these (nice huh?) and since I am busy doing some transparent things (at least I'm trying!), these cherrie chocolate drops come in handy. 25,5 cm x 19,6 cm (10 x 7.7 inches), oil on paper. If you are interested having this one, drop me an email. You can have it for $150.
After painting a lot of landscapes and little still lifes, I am busy doing some bigger paintings. And in a different way, too. I want to make, at least I'm trying, some paintings in the hyper realism way. The paintings will be 50 x 60 cm (approx. 19.5 x 23.5 inch). Oil on canvas.
Nearby Drachten, a 10 minute walk from home, I found this spot. Late in the afternoon, the sun lightening the tree tops, that little house in the sunlight. I could not resist to paint this one.
These days it's very hard for me to judge my own paintings. When I paint at night, it's dark. When I come home from work, it's dark. The first time I see my new painting at daylight, it will be Saturday, so I can see what I am doing. What a surprise! The subject of this -unfinished- painting is very different from what I did the past few months. Why? I see a lot of paintings on the net. Every day. And beautiful paintings, too. And besides the landscape painters and still life painters I like the realism painters. People like Ralph Goings, Tjalf Sparnaay and Pedro Campus, to name a few. I just wanted to see if I can do this kind of work too. What do you think of it, up till now?
When the summer is over, it is often cloudy and foggy out here. But sometimes, when the clouds are gone at first light, nature is at its best. Long shadows, floodlight and enchanting colors. This painting is an example of all those ingredients. And just around the corner of Drachten. Amazing, so much beauty nearby.
For this painting I used some black to darken the colors. And that's the first time I ever used black. Normally I mix some blue, red, green and brown to make a dark color. So why use black now? I don't really know, but I wanted to see what happenes if I use a little bit of black through the blue/green/red/brown. Two things I've noticed: I am not sure if the color is more dark than I used to, now that the painting is dry and I wanted to see if tha black paint would be rich black. Well, it's not. I will be testing the black some other time, again. Actually, I bought the black to make the basis for some grays I want to use in a larger painting I am working on. More about that later on.
Dan from Empty Easel wrote a very nice article about my paintings today. I was suprised to see it and it makes me feel very good. Thanks Dan!
According to the dates you might think I haven't panted for almost a month. But I am concentrating myself on some bigger paintings and a few commissions I am happy to have. The past few weeks I am busy making studies of portraits and landscapes. October Heathland is one of those studies.
The day before yesterday we were at the Karmel monastery, looking for chestnuts. It was very peaceful out there and I thought, why not paint the monastery it self? I never really painted a building and I must say: it's not my kind of thing. It is a struggle. But when you try different things to paint, you can discover what suits you and what does not. And that is the fun part of being a (almost) daily painter. Tomorrow is a new day to paint.
Sometimes I drive a little through Friesland taking some pictures from the beautifull landscapes I see. Many times I have to wait for the sun to come through. I like the highlights and the shadows in a painting. Original oil painting by Jiddje. 8.5 x 6 inches, oil on oil paper. If you are interested in this painting, it is for sale ($120) and ready to frame. You can email me at info@jiddje.nl.