


This is the most recent addition to my succulent series. This acrylic painting has an added element of three-dimensional texture that literally reaches out to be touched. Near the center right of the painting the succulent leaf is actually physically bent and extends outward from the two dimensional surface of the painting. Yes, if you closely examine the photo, you can see the real shadow that is being cast from the outward bent leaf.
I accomplished this third dimension by first pouring a co-polymer shape of the leaf in its flattened dimension onto glass. When it dried into a plastic-like shape, I peeled it off the glass and glued it to the canvas, leaving the right edge free to bend forward. Then I glued the bottom leaf edge to itself in the folded position. I applied molding paste with a palette knife to it and several other leaves.
The central leaf in the middle of the plant was built up in its rod-like shape with mounds of molding paste that was sculpted with a palette knife. This is the first time I've tried anything quite so three-dimensional. The painting measures 30 inches by 30 inches. Its vibrant chromas, impressive size and dimensional qualities called for an in your face title. It is a succulent after all, and Succulence not only means juicy but highly interesting or enjoyable, delectable, luscious. I hope the painting lives up to its title.

I enjoy the challenge of conceiveing concepts for paintings to fit themes imposed by various organizations looking for artistic pieces to promote their events. The process of inventing an image to illustrate the themes forces me to use my imagination and creativity to envision paintings that would not otherwise occur to me to paint. Some very successful paintings have come about by accepting these challenges. Whether or not mine are chosen to promote the events, I get a great satisfaction from dreaming up the concepts for the paintings and their execution. This Through the Eyes of a Child painting was my concept to fit the theme of "A Feast for the Eyes" for the Umpqua Valley Arts Association Annual Summer Arts Festival to be held in Roseburg, OR the last weekend of June 2009. Although it was not selected to promote the festival, I did enjoy dreaming up the concept and doing the painting. I feel it successfully conveys the wonder of seeing through the eyes of a child.

I am happy to report that this painting is hanging in the Coos Art Museum at present from April 26, 2008 through July 5, 2008 as part of the Expressions West 2008 Exhibit in Coos Bay, Oregon. Over 200 artists from the thirteen states of the western United States, including Alaska and Hawaii submitted over 400 painting images to be juried by Gary Faigin, the juror for the exhibit. Faigin is the Artistic Director and co-founder of Gage Academy of Art in Seattle. He is the monthly art critic on Seattle’s NPR station, KUOW. A retrospective of his paintings was presented at the Frye Art Museum in Seattle in July and August of 2001. Faigin selected 65 paintings by 60 artists to be included in the exhibit. I was very glad to be among the artists accepted into the show. You can tour the entire exhibit by visiting this link: http://www.coosart.org/expressions/expressions_entries_index2008.html
The inspiration for this painting came from a photo of a very washed out, almost entirely pale green wooded scene on flat ground. Because I admire the grandeur of gracefully leaning trees, I could see the opportunity to exaggerate the curves and colors and invent the curvy patterns in the barks to create my vision of a dramatic early evening scene. In a thumbnail sketch I arranged the trees and branches with exaggerated leaning curves and anchored them into rolling banks of earth. Then I decided to add the flaming sunset. The whole painting is about wondrous curves, luscious colors and movement; a painting to stimulate your senses. When I was done painting, the rolling earth, fiery sky and leaning trees said "Earth, Wind, Fire" to me.

I am happy to report that this painting is hanging in the Coos Art Museum at present from April 26, 2008 through July 5, 2008 as part of the Expressions West 2008 Exhibit in Coos Bay, Oregon. Over 200 artists from the thirteen states of the western United States, including Alaska and Hawaii submitted over 400 painting images to be juried by Gary Faigin, the juror for the exhibit. Faigin is the Artistic Director and co-founder of Gage Academy of Art in Seattle. He is the monthly art critic on Seattle’s NPR station, KUOW. A retrospective of his paintings was presented at the Frye Art Museum in Seattle in July and August of 2001. Faigin selected 65 paintings by 60 artists to be included in the exhibit. I was very glad to be among the artists accepted into the show. You can tour the entire exhibit by visiting this link: http://www.coosart.org/expressions/expressions_entries_index2008.html
The inspiration for this painting came from a photo of a very washed out, almost entirely pale green wooded scene on flat ground. Because I admire the grandeur of gracefully leaning trees, I could see the opportunity to exaggerate the curves and colors and invent the curvy patterns in the barks to create my vision of a dramatic early evening scene. In a thumbnail sketch I arranged the trees and branches with exaggerated leaning curves and anchored them into rolling banks of earth. Then I decided to add the flaming sunset. The whole painting is about wondrous curves, luscious colors and movement; a painting to stimulate your senses. When I was done painting, the rolling earth, fiery sky and leaning trees said "Earth, Wind, Fire" to me.

This painting was my answer to a challenge to create a painting to illustrate the theme, "Wine on the Vine". The Umpqua Valley chapter of the Oregon Wine Growers was seeking original artwork to promote the 34th Annual "Greatest of the Grape" event held at Seven Feathers Convention Center, in Canyonville, OR. I wanted to compose a painting that would convey "Wine on the Vine" differently than any other artist might do.
I started playing with the placement of wine bottles in thumbnail sketches, with the idea that I just might do a painting of abstract wine bottles. Then I started playing with adding grapevines and finally gravitated to the idea of the bottles growing on the vines with grapes inside the bottles. Then I got excited about that concept and I painted it in acrylics on canvas, adding texture which resembled craters in the moon and the moonlight radiating outwards in the sky. I feel like it does truly say "Wine on the Vine".
But more importantly, it really opened me up to my own creativity; forcing me to expolore how I could imagine and invent subject matter for a painting from nothing other than what I might conjure up from my own imagination. I'd never done that before. I''d always been inspired by something that I'd actually physically seen which became the catalyst for a painting. Allowing myself to work within the confines of an imposed theme opened the door to my creativity and gave me a great satisfaction.
Though not commissioned for that event, the painting was used to promote two other wine-themed events in Roseburg, OR. A reproduction of the painting was the promotion piece for the "Art About Wine" Exhibit in the Hallie Brown Ford Gallery at the Umpqua Valley Arts Center in 2004 and the Umpqua Valley Wine and Art Festival in 2005. The cover of Currents: The News-Review's Guide to Arts, Entertainment and Television, July 15, 2005, Roseburg, OR, featured the painting and I was interviewed regarding my painting. The painting is also featured in a book, Northwest Artists: A Collection of Works by Notable Artists of the Northwest, released May 16, 2005, ISBN 0-97600170-5. The original acrylic painting was sold prior to those events during the Umpqua Valley Arts Summer Arts Festival in 2005.
During that art festival a mature gentleman seemed genuinely interested in this painting. He collected original art only and told me the painting spoke to his heart. He was going to need a few weeks to come up with the $900 to purchase it and I didn't think to offer him the option of putting down a cash deposit to hold it for him. Later a very young man expressed interest in the painting also. It was to be his first major art purchase. He told me that right after he first looked at it he bought a glass of wine and sat at a table accross from my art booth; just sitting there thinking about how much he'd like to buy it and how he would probably have to live on Ramen noodles for three months if he decided to buy it. He finally took the plunge and paid for it in several monthly installments. I was so endeared by his falling in love with the painting and having to own it. It was my first personal major sale apart from the gallery experience where the artist usually has no personal contact with the buyer. I was so impressed that someone so young was willing to make financial sacrifices to purchase something I had created from my imagination.
I got such wonderful feedback on this surrealistic painting. I've sold a few high quality giclee reproductions of it on canvas. One was auctioned off at the Palate to Palette fund raiser for Umpqua Valley Arts Association. High quality giclee reproductions in limited editions are available on canvas or archival paper upon request and greeting cards of it also. Later I used the same composition of the painting to compose the second in a series of "Wine on the Vine" paintings. The overall color is red-orange in that one, which created a completely different feeling and energy in the painting. I'll be posting "Wine on the Vine II" in another post later.

This painting was my answer to a challenge to create a painting to illustrate the theme, "Wine on the Vine". The Umpqua Valley chapter of the Oregon Wine Growers was seeking original artwork to promote the 34th Annual "Greatest of the Grape" event held at Seven Feathers Convention Center, in Canyonville, OR. I wanted to compose a painting that would convey "Wine on the Vine" differently than any other artist might do.
I started playing with the placement of wine bottles in thumbnail sketches, with the idea that I just might do a painting of abstract wine bottles. Then I started playing with adding grapevines and finally gravitated to the idea of the bottles growing on the vines with grapes inside the bottles. Then I got excited about that concept and I painted it in acrylics on canvas, adding texture which resembled craters in the moon and the moonlight radiating outwards in the sky. I feel like it does truly say "Wine on the Vine".
But more importantly, it really opened me up to my own creativity; forcing me to expolore how I could imagine and invent subject matter for a painting from nothing other than what I might conjure up from my own imagination. I'd never done that before. I''d always been inspired by something that I'd actually physically seen which became the catalyst for a painting. Allowing myself to work within the confines of an imposed theme opened the door to my creativity and gave me a great satisfaction.
Though not commissioned for that event, the painting was used to promote two other wine-themed events in Roseburg, OR. A reproduction of the painting was the promotion piece for the "Art About Wine" Exhibit in the Hallie Brown Ford Gallery at the Umpqua Valley Arts Center in 2004 and the Umpqua Valley Wine and Art Festival in 2005. The cover of Currents: The News-Review's Guide to Arts, Entertainment and Television, July 15, 2005, Roseburg, OR, featured the painting and I was interviewed regarding my painting. The painting is also featured in a book, Northwest Artists: A Collection of Works by Notable Artists of the Northwest, released May 16, 2005, ISBN 0-97600170-5. The original acrylic painting was sold prior to those events during the Umpqua Valley Arts Summer Arts Festival in 2005.
During that art festival a mature gentleman seemed genuinely interested in this painting. He collected original art only and told me the painting spoke to his heart. He was going to need a few weeks to come up with the $900 to purchase it and I didn't think to offer him the option of putting down a cash deposit to hold it for him. Later a very young man expressed interest in the painting also. It was to be his first major art purchase. He told me that right after he first looked at it he bought a glass of wine and sat at a table accross from my art booth; just sitting there thinking about how much he'd like to buy it and how he would probably have to live on Ramen noodles for three months if he decided to buy it. He finally took the plunge and paid for it in several monthly installments. I was so endeared by his falling in love with the painting and having to own it. It was my first personal major sale apart from the gallery experience where the artist usually has no personal contact with the buyer. I was so impressed that someone so young was willing to make financial sacrifices to purchase something I had created from my imagination.
I got such wonderful feedback on this surrealistic painting. I've sold a few high quality giclee reproductions of it on canvas. One was auctioned off at the Palate to Palette fund raiser for Umpqua Valley Arts Association. High quality giclee reproductions in limited editions are available on canvas or archival paper upon request and greeting cards of it also. Later I used the same composition of the painting to compose the second in a series of "Wine on the Vine" paintings. The overall color is red-orange in that one, which created a completely different feeling and energy in the painting. I'll be posting "Wine on the Vine II" in another post later.